He Called Me Crazy
He Called Me Crazy

2018 | Mixed Media Installation at The Georgia Museum of Art
Just before Christmas, 1949, my great aunt Kathleen shot her then ex-husband John Drewry and his girlfriend, Miriam Thurmond. My research into their story, which began with hundreds of newspaper articles, led to a box filled with their correspondence from the early 1930s , 17 years before the attempted murders and describing their deteriorating relationship and emotional lives. The story of Kathleen and John prompts thoughts about the fragile construction of family lore and history, and the tension between memory and truth. He Called Me Crazy is a manifestation of my process of research as art and art as research.

He Called Me Crazy, detail
He Called Me Crazy, detail

2018

He Called Me Crazy, detail of embroidered chair
He Called Me Crazy, detail of embroidered chair

2018

Tabloid
Tabloid

Linen Appliqué, Free-Motion Embroidery, Hand Embroidery, Quilting 29.5" x 23" | 2017 | The story of my great aunt and uncle, Kathleen and John Drewry (she shot him and his mistress in 1949), prompts thoughts about the fragile construction of family lore and history, and the tension between memory and truth. This piece features my interpretation of two photos and their captions that appeared in the newspaper during her attempted murder trial in Athens, GA.

Unusual Things
Unusual Things

2017 | 22” x 26” | Correspondence and newspaper headlines digitally printed on silk, pieced together and backed by vintage sewing patterns printed on tissue paper

Romeo Dean Mixed Religion with Love
Romeo Dean Mixed Religion with Love

2017 | Correspondence and newspaper headline digitally printed on silk, pieced together and backed by vintage sewing patterns printed on tissue paper

Portrait of Laura Matson
Portrait of Laura Matson

2020 | 16" x 10" | Embroidery and applique on linen

Water Never Goes Out of Style
Water Never Goes Out of Style

2020 | Water Never Goes Out of Style is made from 100 pairs of damaged Levi’s. Evoking images of the dye-laden water that pours into rivers in the developing countries where the majority of jeans are made, 2000 denim water drops (representing the 2000 gallons of water used to make a single pair of jeans), pour out of a denim sewer pipe.

Water Never Goes Out of Style
Water Never Goes Out of Style

2020 | Side View

Rising (Inhale)
Rising (Inhale)

2017

Bleached Levi’s waistbands, epoxy resin

Bones (Ossa fabrica denimus)
Bones (Ossa fabrica denimus)

White denim, epoxy resin, linen paper, cotton

12” x 12” w x 6” h

2016

Stand Before You
Stand Before You

2017

Levi’s waistbands

Geagon_JNorry_Sinewy_14.jpg
Kristin Bjarnsdōttir
Kristin Bjarnsdōttir

Linen applique and free motion embroidery

Sigurbjörg Gisladōttir
Sigurbjörg Gisladōttir

Linen applique and free motion embroidery

Olafia Jonsdōttir
Olafia Jonsdōttir

Linen applique and free motion embroidery

Erla Jakobsdòttir
Erla Jakobsdòttir

2019 | Linen applique and free motion embroidery

Elisabet Olafsdōttir
Elisabet Olafsdōttir

Linen applique and free motion embroidery

Antonia Antonsdōttir
Antonia Antonsdōttir

Linen applique and free motion embroidery

Asa Marinosdōttir
Asa Marinosdōttir

Linen applique and free motion embroidery

undermined - 1 (2).jpg
Johanna Norry_Dream Quilt - 1.jpg
Selfie with Hand Knit
Selfie with Hand Knit

2014 | Cross stitch embroidery thread on aida cloth | 7.5 “ x 5” x 1”

Face Reading
Face Reading

Cross Stitch with embroidery thread on Aida cloth, wood panels | 24” x 38” x 1.5”

undermined - 1 (5).jpg
Murmur
Murmur

2015 | Knitted Wool, Alpaca, Baby Sound Machine with Mother’s heartbeat

Sweater 1173 and Sweater 1005
Sweater 1173 and Sweater 1005

2016 | Recycled cashmere knit, recycled livestock ear tags, gold thread

23”w x 54”h

Black, White and Red All Over
Black, White and Red All Over

2013 | Mixed Media Installation | 8’ x 8’ x 8 ‘

18279065_10155363235950955_4519679136323414389_o.jpg
Ingest
Ingest

2015 | Wool, cotton cord, synthetic yarn and fabric, cotton piping

Many Hollows
Many Hollows

2015 | Linen, Silk Organza, Cotton, Lutradur

21" x 48"

Mammaria
Mammaria

Fosshape, thread, wire, elastic

6’ x 9’

2016

A Closer Look from Farther Away
A Closer Look from Farther Away

2014 | 22.5” x 15.5” x 1.5” | Wet and Needle Felted Wool on Fulled Wool with Embroidery of aerial photographs from Google Earth satellite images of a feedlot and its waste lagoon in northwest Texas

He Called Me Crazy
He Called Me Crazy, detail
He Called Me Crazy, detail of embroidered chair
Tabloid
Unusual Things
Romeo Dean Mixed Religion with Love
Portrait of Laura Matson
Water Never Goes Out of Style
Water Never Goes Out of Style
Rising (Inhale)
Bones (Ossa fabrica denimus)
Stand Before You
Geagon_JNorry_Sinewy_14.jpg
Kristin Bjarnsdōttir
Sigurbjörg Gisladōttir
Olafia Jonsdōttir
Erla Jakobsdòttir
Elisabet Olafsdōttir
Antonia Antonsdōttir
Asa Marinosdōttir
undermined - 1 (2).jpg
Johanna Norry_Dream Quilt - 1.jpg
Selfie with Hand Knit
Face Reading
undermined - 1 (5).jpg
Murmur
Sweater 1173 and Sweater 1005
Black, White and Red All Over
18279065_10155363235950955_4519679136323414389_o.jpg
Ingest
Many Hollows
Mammaria
A Closer Look from Farther Away
He Called Me Crazy

2018 | Mixed Media Installation at The Georgia Museum of Art
Just before Christmas, 1949, my great aunt Kathleen shot her then ex-husband John Drewry and his girlfriend, Miriam Thurmond. My research into their story, which began with hundreds of newspaper articles, led to a box filled with their correspondence from the early 1930s , 17 years before the attempted murders and describing their deteriorating relationship and emotional lives. The story of Kathleen and John prompts thoughts about the fragile construction of family lore and history, and the tension between memory and truth. He Called Me Crazy is a manifestation of my process of research as art and art as research.

He Called Me Crazy, detail

2018

He Called Me Crazy, detail of embroidered chair

2018

Tabloid

Linen Appliqué, Free-Motion Embroidery, Hand Embroidery, Quilting 29.5" x 23" | 2017 | The story of my great aunt and uncle, Kathleen and John Drewry (she shot him and his mistress in 1949), prompts thoughts about the fragile construction of family lore and history, and the tension between memory and truth. This piece features my interpretation of two photos and their captions that appeared in the newspaper during her attempted murder trial in Athens, GA.

Unusual Things

2017 | 22” x 26” | Correspondence and newspaper headlines digitally printed on silk, pieced together and backed by vintage sewing patterns printed on tissue paper

Romeo Dean Mixed Religion with Love

2017 | Correspondence and newspaper headline digitally printed on silk, pieced together and backed by vintage sewing patterns printed on tissue paper

Portrait of Laura Matson

2020 | 16" x 10" | Embroidery and applique on linen

Water Never Goes Out of Style

2020 | Water Never Goes Out of Style is made from 100 pairs of damaged Levi’s. Evoking images of the dye-laden water that pours into rivers in the developing countries where the majority of jeans are made, 2000 denim water drops (representing the 2000 gallons of water used to make a single pair of jeans), pour out of a denim sewer pipe.

Water Never Goes Out of Style

2020 | Side View

Rising (Inhale)

2017

Bleached Levi’s waistbands, epoxy resin

Bones (Ossa fabrica denimus)

White denim, epoxy resin, linen paper, cotton

12” x 12” w x 6” h

2016

Stand Before You

2017

Levi’s waistbands

Kristin Bjarnsdōttir

Linen applique and free motion embroidery

Sigurbjörg Gisladōttir

Linen applique and free motion embroidery

Olafia Jonsdōttir

Linen applique and free motion embroidery

Erla Jakobsdòttir

2019 | Linen applique and free motion embroidery

Elisabet Olafsdōttir

Linen applique and free motion embroidery

Antonia Antonsdōttir

Linen applique and free motion embroidery

Asa Marinosdōttir

Linen applique and free motion embroidery

Selfie with Hand Knit

2014 | Cross stitch embroidery thread on aida cloth | 7.5 “ x 5” x 1”

Face Reading

Cross Stitch with embroidery thread on Aida cloth, wood panels | 24” x 38” x 1.5”

Murmur

2015 | Knitted Wool, Alpaca, Baby Sound Machine with Mother’s heartbeat

Sweater 1173 and Sweater 1005

2016 | Recycled cashmere knit, recycled livestock ear tags, gold thread

23”w x 54”h

Black, White and Red All Over

2013 | Mixed Media Installation | 8’ x 8’ x 8 ‘

Ingest

2015 | Wool, cotton cord, synthetic yarn and fabric, cotton piping

Many Hollows

2015 | Linen, Silk Organza, Cotton, Lutradur

21" x 48"

Mammaria

Fosshape, thread, wire, elastic

6’ x 9’

2016

A Closer Look from Farther Away

2014 | 22.5” x 15.5” x 1.5” | Wet and Needle Felted Wool on Fulled Wool with Embroidery of aerial photographs from Google Earth satellite images of a feedlot and its waste lagoon in northwest Texas

show thumbnails